Hi
from home base! For those of you who don’t know me, my
name is Nokuthula Ngwenyama (otherwise known as a mouthful).
Many of my friends simply call me Thula. I’ve made music
for most of my life and have been fortunate to, for the last
10 years, concertize around the world. It is exciting to travel
and experience different things, but it’s equally great
to come home with a mixed sense of satisfaction and relief.
The
2004-2005 season is going to be action packed, so it would
be my honor if you joined me. The season begins with appearances
at the Grand Canyon and continues with trips to southern Africa,
Alaska, Korea, and the southern US. It’s a great season
to kick off a travel log, and I hope it proves as interesting
to you as it will for me.
Yet,
as interesting as it is to travel, sometimes the most fascinating
things are at your own doorstep. After all, if you can’t
appreciate home base how can you appreciate other people’s
home base? That’s why I decided that, in order to really
kick-off a great travel log, I would find a subject I admire
to write about in my new-found hometown of Phoenix, Arizona.
There
are a lot of reasons to call Phoenix home - great weather,
beautiful scenery, lower cost of living, the third largest
airport in the US, and the Bondurant School of High-Performance
Driving. Very few people, however, note the cultural and artistic
activities this area has to offer. There is a fine symphony
orchestra and nice recital/chamber music venues, but did you
know that the world’s largest importer of bows is in
Tempe? I didn’t know either until I moved here and found
out about it. Let me tell you about what I’ve learned
from Arcos Brasil.
Bows
are made out of pernambuco, and pernambuco is an endangered
wood. Now, I just thought pernambuco was endangered because
there were too many string players and cabinet makers in the
world. The truth of the matter is that ‘pau-brasil’
(furnace-red wood in Portuguese) was a major part of the dye-trade
from the mid-16th to mid-19th centuries. Before the invention
of aniline dyes ‘pau-brasil’ was so important
in this former Portuguese colony that Brazil was named after
the wood, not vice-versa. Massive amounts of the wood were
needed to produce the dye so many trees were felled without
forethought or ecological considerations.
Nowadays
the biggest threats to pernambuco are products of industrial
development: highways, farming conglomerates clearing land,
and steel mills.
Archetiers
take a backseat to these influences, yet they are taking a
front seat in trying to conserve the fine wood and their fine
craft. Arcos Brasil is an integral part of this conservation
process. Floriano Schaeffer (internationally recognized as
one of the foremost experts of pernambuco wood) runs Arcos
Brasil with Celso de Mello and Vito Vissicaro. Mr. Schaeffer
works to salvage and use nonliving sources of pernambuco like
dead logs on the forest floor. Both Mr. Schaeffer and Mr.
de Mello were employed by the late Horst John, a wood dealer
and bow maker internationally recognized for his pernambuco
reforestation efforts. Arcos Brasil maintains that responsibility
to the conservation of pernambuco wood as a given.
It’s
intriguing to read about pernambuco and realize that only
a lucky few have great understanding of it from the soil up.
The bow makers at Arcos Brasil have a golden opportunity most
bow makers don’t have: they get to use hand-selected
wood with zero ecological guilt and, since Arcos Brasil is
the largest manufacturer of handmade bows in the world, they
get to make a lot of them. In addition to this unparalleled
experience, these talented archetiers are trained in the French
tradition as opposed to Horst John’s German style bow-making.
The bows they produce are some of the finest being made today,
and they are imported into Tempe, Arizona before being distributed
to dealers worldwide.
There’s
a lot going on in the Phoenix area, and to realize that this
is one of the global bow centers is amazing. It’s a
privilege to speak about bows and the bow-making experience
with archetier and Arcos Brasil co-owners Vito Vissicaro and
Celso de Mello. The give and take between musicians, bow-makers,
and the forest is long from over, as I discovered by looking
a little more deeply at home base.
-Thula
Coming
soon: The Grand Canyon, Zimbabwe, and South Africa.
Additional
information:
Russ Rymer, “Saving the Music Tree,” Smithsonian,
Apr. 2004 (35:1): 52-63.
Cynthia Graber, “Viva Brasil!,” Strings, May 2004:
64-69.
Website for Arcos Brasil: www.arcosbrasil.com
Coming soon: The Grand Canyon, Zimbabwe, and South Africa.
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